Saturday, October 11, 2025

stones unturned


NOTE: I haven't been on this blog in years, and decided to take a look at the back end today. I found this draft, first written on January 30, 2019. 

several weeks ago the manager of my workplace asked if i might be able to sub for a fellow staffer on february 3rd. i had a gnawing feeling there was something happening that day, but nothing was noted in my calendar. so i agreed to.

a few days later it struck me that february 3 is the day my mother died.

i would have never forgotten this day, but in the moment of being asked to work, i just didn't make the connection.

i drive by the cemetery where my mother is buried whenever i go to my workplace(s) from home. her burial ground has one of the most beautiful views in albemarle county. it evokes many place memories in me, but mostly it evokes our birthplace, cyprus. something about the arrangement of hill and tree and horizon, especially during sunset in the summer.

she would be unhappy about how much of her left-over money we used for that plot. but she must be so happy that it is a place that i visit frequently. once she decided against cremation because the greek orthodox church doesn't accept it, she said she wanted to be buried with a mountain view. and that she has.

coincidentally, my main employers since my mother's death are in the same mailing district she lived in for her brief tenure in virginia. prior to her death i worked in charlottesville. i spent two years driving triangles from earlysville to charlottesville to crozet and back, while working full time. if my work had been in its current locales, logistics would have been far more streamlined. but i would have also carried a burden daily, that because i was in crozet, i also needed to spend time with mom.

today we had a car at the mechanic's for brake work. my spouse, son, and myself holed up in a restaurant across the street with a plan to pick up the car after. we had a snack,  a drink,  and tristan eagerly dumped a pocketful of quarters into arcade games.

at sunset dan crossed the street to the mechanics to pick up old car 2. tristan and i climbed into old car 1 parked in the restaurant lot. i turned the key and the car breathed, then dropped dead. i tried starting it a couple more times, but no juice. i texted dan who said: brt.

while i waited, the car did a couple of odd things. the airbag light blinkered in a series of repeats and made a weird sound like––well––air escaping. and the radio suddenly turned on. tristan and i both met eyes in surprise when we heard the music emit from the radio. the car key was in my hand, not the ignition.

kindly, the mechanic showed up with dan. he had a portable charger. he hooked it up and told me to try the ignition. the car had no inclination to start, yet after i took the key out, the lights flashed on and off at random, and then the radio came back on. the mechanic came over and saw the key in my hand, and the dash with a life of its own. he ordered me out, jumped in, got back out, charged it some more, and eventually the car started. but before returning to his shop he looked at us and said he'd never seen anything like that happen. what i didn't hear was the part where he told dan to get rid of the car.

i let it run for a bit, and when i turned on the headlights, it died immediately. dan returned with old car 2 and tried to jump-start it. but nothing. so we locked it up and left it.

what i didn't mention is that old car 1 happens to be my mother's former car. it did cross my mind that she was haunting it. but it was sort of a joking thought.

when we got home, i felt exceptionally drained, and fell into a deep sleep on the couch. i found myself half consciously dreaming that i lived in a house with my mom, and with roommates, and was going through a spell of feeling deeply sad and alone. in the dream i crawled into bed with my day clothes on,  pulled a thick layer of blankets over me, and gazed out my bedroom door into the bedroom door of my mother's room across the hall. she too was in bed, covered by a rich quilt. she was an entirely different person yet a mirror of myself in that moment. i was feeling a lot of conflicting emotions looking upon her. and then i woke up. i think i forced myself to wake up so that the dream of my mom wouldn't get lost. she rarely appears in my sleep and this dream made me feel more certain that she had indeed been haunting the car.

later the same night i was searching for some information about the car in my email and one of the first results that came up in the search was an email from my mom, sent just a dozen days before her death. attached were two zip files, one with financial information and paperwork and probably something to do with the car, and the other full of typed histories about our family tree, both her maternal and paternal sides. i realized the zip files hadn't even been downloaded yet.

my mother has been gone two years. i still have many stones unturned when it comes to things she has passed to me. a file full of letters from her boyfriends. a big envelope full of photographs. a wicker basket full of financial history and records. a cabinet full of her silver and plates and cyprus lace. a folder full of letters i wrote to her.

other stones un-turned form a rough and winding road inside of me.

we most of us are hurt by our parents in one way or another, some more than others. and we most of us hurt our parents, one way or another, some more than others. these both. it feels important right now to start turning the stones and looking at what's underneath.

Sunday, January 06, 2019

december songs, week four

the last two decembers i've challenged myself to posting a song or artist per day for the month. this year i'm choosing weekly digests. so here is december songs, week four, girl power edition, one week into january, 2019:  

when i hear a song i like i take note of it

i follow up by investigating online and seeing where it leads. sometimes i realize i don't want to hear the song again. but more often than not, it becomes a new fascination.

these december songs are some of the songs from my notes, but also some others

many of these songs i've heard on the radio––while listening at home, or on my frequent drives to and from charlottesville

some are old favorites

many are still new, something fascinating to hold to the light

some i over-listen to  

maybe this is my unfolding play list? or mix tape? 

i'm sharing it with you. 


cat power // horizon



(i remember the day cat power's voice filled the hallowed halls of people's food coop in ann arbor, where i was working when someone stuck her cd in the sound system. it was love at first hear. her new album, wanderer, is quite beautiful in its entirety. it was really hard for me to settle on one song. i also really adore "woman" and "stay." you can listen to the whole thing without commercials on bandcamp. then buy it.)

tierra whack // whack world



(i heard her for the first time on––you guessed it––wtju, and repeatedly on fave show, radio freedonia. a series of amazing one minute songs accompanying a must-see reel of short masterful videos. watch it. love it. repeat.)

goat girl // cracker drool



(i pretty much want to be part of a girl band and this is pretty much it. looking forward to listening to them more and often.)

raquel jones & thievery corp // letter to the editor



(i heard this recently on another fave wtju radio show, reggae vibrations. when the clock struck midnight on new years eve and i opened one eye from my horizontal position, i made every effort to pull this song up on my phone, stream it to the speaker, and start the new year with it. and i succeeded after a couple of false starts and some yelling from the peanut gallery of children, who were really the only alert ones in the room)

mary lattimore & meg baird // fair annie



(i first saw meg baird in the summer of 2017, open for steve gunn. i fell deeply in love with her. she performed this song, solo, and i believe she said it was the first time she'd played it live. it was incredibly powerful. and then she and mary lattimore, who i learned about in 2018 and am also deeply in love with, released this blissful collaboration, ghost forests, which includes "fair annie." thrilling. and yea, once again, you can listen to it on bandcamp fully commercial free. but buy it too.)

pip blom // i think i'm in love




(her name is pip blom and her band's name is pip blom. there is not a lot out there yet by them, but i can't wait for more)

sharon van etten // comeback kid



(i'm pretty sure sharon van etten has shown up in past december songs. i was in richmond the other day and loving the urban vibe, when i walked into an awesome indie bookstore and sharon van etten was blasting over the speaker (followed by yo la tengo). so she is on my mind and she has some previews out there for a new album coming out soon. this one is good.)

Wednesday, December 26, 2018

december songs, week three

the last two decembers i've challenged myself to posting a song or artist per day for the month. this year i'm choosing weekly digests. so here is december songs, week three: 

when i hear a song i like i take note of it

i follow up by investigating online and seeing where it leads. sometimes i realize i don't want to hear the song again. but more often than not, it becomes a new fascination.

these december songs are some of the songs from my notes, but also some others

many of these songs i've heard on the radio––while listening at home, or on my frequent drives to and from charlottesville

some are old favorites

many are still new, something fascinating to hold to the light

some i over-listen to 

maybe this is my unfolding play list? or mix tape? 

i'm sharing it with you.

kaia kater // grenades



(another voice i heard on the radio one night driving home in my car. i looked her up right away and purchased her album, grenades,  of which she says: "Like many people, I have felt alone and out of place for most of my life, stumbling forward blind and rootless. I wrote Grenades to trace the life line from my palm and find my way home." the album includes voice overs by her father telling tales of his childhood in grenada. kater also has a strong appalachian influence and plays banjo.)

the babe rainbow // supermoon 



(heard this summer, right around the super moon, appropriately. i like their trippy rambling upbeat sound, and the video is a happy silly thing.)

king gizzard and the lizard wizard // the river



(speaking of australia. . . yes i've been hearing this band on wtju for years now. but it wasn't until i sat down one day at twisted branch tea bazaar, earbuds in, and listened  to polygondwanaland from start to finish––which is a free download on bandcamp by the way––that i realized how totally mind bending they are. good stuff. don't wait as long as i did to listen more closely.) 

endless boogie // imprecations 



(another new to me band. i really dig this long and groovy psychedelic jam)

naked gods // rick danko (was an honest man)



(i've seen the bumper stickers and heard talk of this local-not-local band. i've heard a song here and there on wtju and assisted at the print shop with the making of t-shirts for the singer's pizza shop in boone, nc. so yea, it's about time i familiarize myself with their music, even if i am late to the show. i like the way this song purrs along and then really punches it at the end. except i want it to keep going.)

lucy dacus // nightshift



(some of my friends know that i have a remarkably lucky ticket winning streak. i signed up for lucy dacus, not knowing much about her music, but curious, particularly because my friend and boss-man at the print shop was designing concert posters for her show at the jefferson. sure enough, i won myself a pair tickets. it was a lovely show, better really than i had anticipated. i have a poem series called nightshift that i have been working on for several years now, so thought i'd share her song of the same title.)

heart of the ghost // heart of the ghost



(another act i saw at low vintage, but this a lively avant jazz experience. so energizing and fresh. i used to see a lot of  improv jazz when i lived in san francisco and so welcomed this ecstatic sound emerging between racks of old dresses and psychedelic shirts. tristan was with me that night and made some awesome sketches in his notebook. probably one of my favorite mother/son dates, even though, tired and over stimulated, he totally lost his shit on the way home.)

Thursday, December 20, 2018

december songs, week two

the last two decembers i've challenged myself to posting a song or artist per day for the month. this year i'm choosing weekly digests. so here is (a week late!) december songs, week two:

when i hear a song i like i take note of it

i follow up by investigating online and seeing where it leads. sometimes i realize i don't want to hear the song again. but more often than not, it becomes a new fascination.

these december songs are some of the songs from my notes, but also some others

many of these songs i've heard on the radio––while listening at home, or on my frequent drives to and from charlottesville

some are old favorites

many are still new, something fascinating to hold to the light

some i over-listen to 

maybe this is my unfolding play list? or mix tape?

i'm sharing it with you.

richard thompson // 1952 vincent black lightning  



(when i was fresh out of college in 1989, living in buffalo, and hoping to be a writer, i wrote a few pieces for "arts in buffalo" after the editor made me troll the streets for a couple of weeks trying to sell ads. it was clear sales were not my forte and he finally gave me a chance at writing. he asked me to interview john lombardo, a former but founding member of the 10,000 maniacs. one afternoon, sitting in shafts of sunlight in lombardo's living room, he talked to me all about legendary producer joe boyd, who produced the maniacs first album, the wishing chair. this lead to a conversation about what bands influenced him most, one of those bands being fairport convention. he placed an lp on the record player and i was profoundly moved by the sound that emerged. this was my introduction to richard thompson & sandy denny and to that era of electric folk music, which also includes pentangle. to this day fairport convention and pentangle remain two of my favorite bands. in november i got to see richard thompson live for the first time. he played this song, among many others.)

big star // my life is right



(i heard this song on the radio recently and even though i've had the recording for some time, it hit me in a fresh way and it's become one of those obsessive auto-repeat songs.)

mckinley dixon // circle the block



(i saw him perform earlier in the year at the uva chapel and was impressed by his fusion of jazz and hip hop, his charisma, his poetry, and his band. relevant, complex, riveting)

marc bolan (tyrannosaurus rex & t rex) // organ blues & cosmic dancer





(i have two videos here because i heard both songs for the first time recently, leading me to actually listen to t rex. we've all heard "bang a gong," but somehow i just never went any further. i heard cosmic dancer at a dj event recently and when told it was t rex, i was like, "of course." it was clear. but still, i'd just never really explored the band beyond the radio songs. i heard organ blues on wtju soon after, made by tyrannosaurus rex, before they became just "t rex.")

wooden shjips // staring at the sun



(dreamy psychedelic music is pretty much my bread and butter. breakfast, lunch, and dinner. and dessert. a crepe with nutella. and strawberries. with wine.)

juliana daugherty // california



(local to charlottesville, i saw juliana for the first time at the funky magnolia house, where i sat on a stairwell surrounded by nice people, kitschy decor, and her stunning voice. heartbreaking and elevating.)

alexander // untitled



(starting in the autumn of 2017 i've been attending small intimate music shows held at low, a vintage cothing shop in downtown charlottesville. each show has been soul cleansing, meditative, a high dive into deep art. alexander is one of several improv guitar players i've seen there. pretty much life's soundtrack)

Saturday, December 08, 2018

december songs, week one

the last two decembers i've challenged myself to posting a song or artist per day for the month. this year i'm choosing weekly digests. so here is december songs, week one:

when i hear a song i like i take note of it

i follow up by investigating online and seeing where it leads. sometimes i realize i don't want to hear the song again. but more often than not, it becomes a new fascination.

these december songs are some of the songs from my notes, but also some others

many of these songs i've heard on the radio––while listening at home, or on my frequent drives to and from charlottesville

some are old favorites

many are are still new, something fascinating to hold to the light

some i over-listen to 

maybe this is my unfolding play list? or mix tape?

i'm sharing it with you.

tim buckley // buzzin fly



(i'm so in love with this song i'm beginning to think i'm mental. i love his humming and yelping and purring as the song builds and throughout. and then his voice. all of it. singing those words. those words. the range. the lows, the highs, the theatrics. it fills the place of longing while also carving out a space for it.)

aretha franklin // tree of life



(this is everything)

xylouris white // forging



(i learned about xylouris white at some point this past year and they thrill my little greek heart beyond measure.)

led zeppelin // that's the way



(led zeppelin was formative. coming upon my brother's "houses of the holy" lp when i was in elementary school and staring at the cover a lot. stairway to heaven at the end of every school dance. being wooed on the ski slopes by michael from ohio who called me zoso and sang zeppelin songs to me on the chair lift. seeing robert plant live just a few years ago and realizing truly what a shaman he is. i had never heard this song until recently. or if i had, it hadn't made an impression. but now it has.)

hudson bell // the falls



(what can i say i'm a romantic. i don't know where this person/band came from. do you? maybe everyone knows about him/them. i haven't really ventured beyond this song, because this alone is sooooo swell. is it way poppy? it came on a pandora station one day when i was working at the winery. it filled the airy space and made me want to jump out one of the loft windows and fly around. it may just happen one day.)

chris bell // stay with me



(i have an obsession with this song. i find it deeply sweet. and i love singing along to it while i'm driving, which i do often. if i ever form a band i want us to cover this song. applicants welcome.)


haley heynderickx // drinking song 



(i heard her on the radio, took note, then she was coming to my town and i won tickets. it was a super lovely show i got to share with a friend i don't see all that often. and listening to her just now was like a well timed massage.)

Thursday, November 29, 2018

when the song inside is shut down



recently i've had opportunity to write words to music.

i don't know if i will ever hear those lyrics taken to the stage or studio, but writing them was enough. i am a moth after alchemical flame, and in those moments, i flitted around a crucible that creates form.


after these song writing forays, i shared the lyrics by also singing them to the tracks provided and making a recording.


please understand, sometimes i don't sing in crowds because i don't want people around me to hear how poorly i sing. so to record my voice to music and hand it to a someone to listen to is a big act of deciding to NOT care.


doing so has brought me face to face with some deeply ingrained musical trauma i experienced as a child. a shut down, if you will.


it makes me wonder how many things have been shut down in all of us. how damaged we all are. how we don't even realize that there is damage. and when a shut down occurs, how we compensate for it in other ways.


music is my emotional track. it's the backdrop and the drive and the story. it's the fire in that previously mentioned crucible of creation. it brings fusion. connection. movement. fantasy. I admire music makers and performers and am recharged by the live experience. i love to dance, though that too is cloaked and choked by self-consciousness.


as much as i love music, and seek it, and have been closely connected to musicians throughout my life, i know nothing of its formalities. i can't name notes or specify structure. i know not a lick of musical language. and i have never actively tried to know. music has been purely visceral for me. an experience of hearing poetry. an enchantment, where priestess or shaman rally the energy to rise. a ritual. a dance. a spell. a story.


examining this love of music, this life of musicians, and wondering why i know nothing about music formally, i recall the shut downs. i don't think i realized until recently how deeply I’ve been altered. how my confidence was utterly robbed.


when i was in grade school, 2nd grade i think, i tried out for chorus. why 7-8 year olds are expected to "try out” for chorus, rather than just encouraged to join, is beyond me. it is a vile structure that should not exist. there was no opportunity for singing with classmates other than in chorus. i tried out because i had the desire and inclination to sing. to make it into chorus we had to sing "america the beautiful" and it was required that we hit the high notes just so. i was not a capable candidate according to the instructor. i did not make the cut. in 2nd grade all singing with my peers was stolen.


from that day forward i believed i could not sing. that it wasn't for me. that i wasn't for it. it wasn't a possibility or even an option.

around the same time, we as grade schoolers were encouraged to pick an instrument and receive instruction from music teachers associated with the school. i had no idea where to begin and so i chose the flute, the choice of my best friend at the time. do i think it was the right choice? in retrospect, no. drums or bass or maybe cello would have been a better choice for me. but i didn't come to that realization on my own. in my first week or two of trying to learn how to make notes from a pipe and finding myself dizzy, a relation who was babysitting me said, "some people have two left ears." for some, she stressed, playing an instrument is "just not meant to be."


the flute was returned, the rental contract ended, and i gave up on the idea of learning an instrument.


what world does that to children? what world doesn't try to help them find their voice, their song, their rhythm, their expression? what world makes a small child try out for group singing in a public school, rather than just providing a space for children to sing, without judgment? what world has people who tell children they are not good enough, even on the first try? i’ve heard stories of children having their hands slapped with a ruler while trying to learn the piano. in this case the whole possibility was slapped away.

of course, i could have toughed it out. ignored them. persevered outside of the school structure. but music wasn’t exactly a calling. not like writing has been. and confidence was not something instilled in me. i was (and still might be) an easy subject to shrink down.


fast forward to now, many decades later, where i am finding that perhaps composing lyrics is a bridge between the poetry i write and the music i love. and maybe it’s ok if i sing poorly. because sometimes it’s more about the power to deliver the message.


so we’ll see. but i’m feeling pretty determined of late to heal the trauma those adults inflicted on a little girl who just wanted to be in the band.

Tuesday, September 11, 2018

The Fool Poem, Jon Collin Music, and a Video

Last fall I saw Jon Collin––a beautiful improv guitar artist––perform in a groovy vintage clothing store in Charlottesville. Hearing him live was an alchemical experience. I wrote a bit of a review here. The review is a kind of poem, too.

One spring evening I found myself listening to his recordings all night. His music brought the magic and l wrote a poem. While playing one of his pieces, I read my new poem, and recorded it. When I listened after, it seemed the words and the music fell together just right.

I received permission from him to share the poem with the music. His piece is called Smoke and Wind, from the album Water and Rock Music Volume 1. You can listen to it in its entirety here. Please do. And then listen to the rest of his music and then buy something.

As I continue to try to be bolder in 2018, I'd like to share this. I didn't want to post just a sound file however, so I looked for a video that might work. The video I came to is nine years old. It's a bit random but I think it works ok. 

So here it is, The Fool, set to Smoke and Wind by Jon Collin.

The Fool poem by Zoe Krylova set to Smoke and Wind music by Jon Collin from Zoe Krylova on Vimeo.

Thursday, May 31, 2018

Saturated


Dear Blog,

I don't write to you like I used to. I have fallen out of time and you have not been my priority. 

But also, I don't know how to write about all the stuff.

Occasionally I search you for a memory or reference or picture or song. 

And once in a while you are an appealing canvas for the salty stream, the shapeless tumble that appoints language.

It rained really a lot yesterday. I was driving home when the sky broke on the windshield and all spigots gushed. 

The moist constant was not helpful in my attempt to find mooring. 

But today in the pause I am trying to grasp something solid.

What truths are at hand? 

There is so much horror that I'm finding myself sewing a quilt buffer––not inactive, but cushioned. A quiet containment.

But also, the panic meter is swinging high.

Things that help me:

* music
* making things
* remembering to breathe 
* meeting new people and hearing their stories
* my young son's frequent hugs
* all aspects of the taco 
* loving
* vices

Things that trouble me:

* racism
* false binaries
* the patriarchy
* the founding of our nation
* homelessness
* capitalism
* cruelty
* ego

These are not complete lists. 

Neither include my shadow world––The things that trouble me about me. Sorting through this is about sorting through privilege and conditioning, wounds and longings. Distilling experience. Deciphering wrong turns. My pile of thread and rock and papyrus and rust.

And then there is the lack of sorting. A locked gate on deep growth because of fragility or fear. Because there is a shortfall in energy. Because there is an over-abundance of distraction. 

Or perhaps because there is a lack of awareness that an audit is essential.

It rained really a lot yesterday. 

I was at home when my heart opened in the evaporating steam and I started to sort through the saturated shale.


Saturday, February 03, 2018

One year as a motherless child




Last year at this time my Mother crossed the veil. 

Today has been marked by that day leading to her death, which is somewhat conflated with the days that preceded it, as the week itself was a kind of trance.

Today is a brand-new day. Exceptional and not so, in so many big and small ways.

In the morning, I joined community members in the court house to support other community members who confronted nazism in 2017. My head is spinning as I integrate the experience, but my heart has grown. Midday I bought flowers and a small wreath to decorate my mother’s grave. In the late afternoon, I enjoyed an African dance workout, where a half dozen drummers laid the rhythm and I struggled to find mine. In the evening, I observed some excellent art exhibits in the galleries, heard sacred singing, and spent time with friends and family. When I got home I fell into a deep sleep on the couch and woke shortly before the exact time of my mother’s passing. 

So once again I am in a place of no-time.

Many, if not most of us, experience these anniversaries of a loved one’s passing. Perhaps we were there with them, if not physically, then in so many emotional ways, positive and negative.

My mother is gone. She passed one year ago on Feb 3, shortly after 1am. She wanted to wait until the 3rd of the month because that is when her social security check drops into her bank account. This is a small thing we giggle about.

My mother became non-verbal about four days before she passed. I had spent long stretches of time at the Hospice House for two months, but in this last week, I kept vigil in that padded realm of whispers. It was safe in there, and warm, and so very beautiful. And there was the daily embrace of exceptional nurses, and chaplains, and social workers, and aids. They were a supportive family for a short period of time. 

That's not to say there weren't less gentle hands in the mix. Once my mother said, “If you are going to die in hospice, don’t die during the night shift.” But overall, my mother couldn't have passed in better care. It's where she wanted to be. And I am deeply grateful.

On the day of Feb 2, 2017, she lay in stillness, with mildly labored breathing. I remained at her side, studying her, caressing her at times, but my relationship with my mother was never one of much physical affection. I held space with her, which is what she wanted most from me––being there. I probably ate lunch in the hospice dining room, where food was sometimes shared with other families and the workers. 

This was important to my mom––that we share food. The week before she passed she insisted we buy eight rotisserie chickens for the hospice staff. We fed the whole house and its patients for days with that meal. Over the holidays, she contributed several Panettone Cakes. On February 2nd, I may have contributed some Greek delicacies: Grape Leaves and Hummus and Teropita. The staff appreciated my mother’s generosity with food, and in turn mine, which was a theme of our lives, really.


On February 2nd, the nurses thought my mother had a couple of days yet. But I kept watch into the night. My friend Megan came by to keep me company, the only friend who had stepped into my mother’s death chamber. She held space with me there for some time, and then we walked the three blocks to the Tin Whistle pub, where I enjoyed a stiff drink, and the sense of being alive. It was cold and cozy and surreal. 

When I returned to the hospice house, the night nurse told me she felt certain my mother would make it to morning. I was trying to decide whether to stay or go home to sleep in my own bed. As I was considering my options, my mother moved for the first time in hours, days really, stretching her arms in a downward struggle that implied discomfort. She was clearly distressed, reaching. I asked a nurse if she could turn her, or try to troubleshoot her discomfort, but the nurse said they had just attended to her, and that she was fine. I decided in that moment to stay the night, prompting the nurse to come in and adjust her, and up her morphine. My mother had refused the morphine until the very end. On this day, her dose was high.

A lot of people have exceptional stories of a loved ones passing. A last word. A moment of sublime contact. A very strong sign. Some people crawl into to bed with their loved one and hold them. But I sat by my mother’s side in an easy chair watching her intermittently while watching late night tv. I assumed we had a morning ahead of us, perhaps a day. Shortly after Seth Meyers’ sketch, A closer look, which lambasts Trump with comedic investigative journalism––something my mother loved––I dozed off a bit. 

I woke to the nurse saying, “Zoe, she is gone.” 

Just like that. As I fell into a sleep beside her, she took her final breath. Seamless. No drama.

The moment of finding her gone was a terrible one. No poetic words can really describe that sensation of sitting beside my mother’s empty body, turning skeletal before my very eyes. It was entirely expected, yet not. Wasn’t she going to make it until morning? Weren’t there yet more signs we were waiting for? The nurses were apologetic, saying they truly thought she had longer. But the moment had come and gone like a leaf falling. She had drifted away and settled into a place I can hardly imagine, that I have no strong spiritual or religious or cultural preconceptions of. A dark and empty space, that I can illustrate with light and liberation and a great winged flight. 

The funeral home attendants wheeled the husk of my mother’s diminished body away under a bright red blanket. I packed all her things, all the tidy clothes she brought to hospice but never wore, her cologne, her under garments, her big thick robe stained with food and medicine, her bible, and Greek Orthodox icons. I packed them carefully with my tears, and loaded them into the car. 

I drove away from death and into life under the great star of memory, which sheds an illuminating light on the relationship I had, and continue to have, with my mother. 

RIP Tatiana Efthyvoulou  9.27.31 – 2.3.17

Sunday, December 31, 2017

December Songs 31 (2017)

It's New Years Eve! Time for a final December Songs 2017. And I am so very glad I found a recording of Devon Sproule's new song, "Turn Back to Love." The first time I heard her sing this––I believe it was at a recent show at the Batesville Market––I found tears streaming down my face and had to choke back audible sobs.   

I’ve got someone new, you may have heard.
She’s hanging on my every word.
I’m becoming the master decoder.
So much to see, so much to show her.
Are you making it safe and OK?
Are you shrugging and turning away?

She wrote it after the events of our Charlottesville Summer and every word of it goes straight to the heart: as a mother, as a community member who was present at the events of July 8 & August 12, as a citizen striving for systemic change, as a human who loves. 

What am I gonna say, when she asks what I did?

Devon is so generous, not only can you listen to her new song here, you can also download it. There is no video as of yet, just her beautiful voice and deeply moving lyrics. I take these words and this experience into 2018, knowing that all that has passed in 2017 is a dangerous, frightening, but enlightening springboard toward change. May 2018 be a very different year for all of us, where we "turn back to love."


Turn Back to Love, by Devon Sproule

Stuck under the northern border,
Why did I let my passport run out?
That clean air is a foggy memory
Getting burnt off in the south.

I thought this was this optional hobby
Before the Nazis came to my town,
Are you quiet or crying it out loud?

I’ve got someone new, you may have heard.
She’s hanging on my every word.
I’m becoming the master decoder.
So much to see, so much to show her.
Are you making it safe and OK?
Are you shrugging and turning away?

Turn back to us.
Turn back to love.

Faster and funnier, you hate 2 lose.
Doubling down on those dangerous views.
I can’t begin to know what you’re thinking.
But I get a whiff of the koolaid you’re drinking.
Are you sneaking beneath your own mind?
Do you really believe he’s a great guy?

That’s not your voice, that isn’t you.
I know because I’ve lost mine too.
I’m terrified to get specific.
What am I gonna say, when she asks what I did?
Are you trying it on for a day?
Are you shrugging and turning away?

Turn back to us.
Turn back to love.

Overnight, overyear,
This little life is long, I hear,
Long enough that I can see a time,
That's quiet enough to listen to the pines.

And while you're here, check out this awesome Wes Swing video (another magical musician I saw for the first time this year) with a cameo by Devon Sproule.